(01 / marketing_laboratory) miami

we create fascination.

Strategy, stories and production for brands. Built in beverage and luxury.

move to stir the field // click to take an exposuredrag to stir the field // tap to take an exposure

(02 / selected work)

Selected work.

Commissioned campaigns, publications and programs. Each lab_report documents the brief, our approach and the result.

A hand holds up a bottle of Giffard NA Spritz non-alcoholic liqueur against snow-covered mountain peaks at golden hour, shot by Ford Media Lab.

Giffard / Back Bar Project // 2026 // lab_report

originate // positioning, identity and a recurring cast

Copies of 1806 magazine, Volume 1 New York City and Volume 2 New Orleans, fanned across a surface, each cover reading “the defining stories of thirsty people,” shot by Ford Media Lab.

Collectif 1806 / Rémy Cointreau // 2017 // lab_report

produce // 384 pages of interviews, photography and design

Three Hornitos Tequila bottles and three signature cocktails on a rooftop bar against a sunset city skyline, the Mex Gala campaign shot by Ford Media Lab.

Hornitos Tequila // 2025 // lab_report

produce // 16 hero images in 72 hours of production after sign-off

Jim Bachor’s studio: his Amaro Montenegro mosaic in progress under a lamp, with sketches and tile charts on the wall.

Amaro Montenegro // 2020 // lab_report

operate // an artist program from brief through judging

(03 / thesis)

In 2026, innovation is the baseline. Fascination is the outlier.

Fifteen seconds of attention is the scarcest thing in a feed. Everything we make is built to earn it.

Ford Media Lab is a marketing laboratory in Miami, built in beverage and luxury. We connect strategy, storytelling and production: a clear brief, a visual world, and work made to travel across formats and channels. Real studio capture, editorial craft and AI-assisted production sit in one loop. New engagements start with a defined project: a launch, a campaign or a production, with the scope and timeline agreed upfront.

We came up through the trade. Bartending in San Francisco and New York, then inside the houses: Rachel as Tanqueray’s national brand ambassador for Diageo, Kyle helping build Collectif 1806 at Rémy Cointreau. We trained bartenders, ran advocacy programs and signed off on agency work from the brand side. Every handoff we sat through is one we designed out of the lab.

We learned brand building in spirits, where every post is age-gated, every bottle is glass, and every sale runs through a bartender first. The method travels: understand the audience, find the human story, set a clear creative direction, and carry it across formats and channels.

(04 / three modes)

One studio. Three ways in.

Bring us a brief at any point between an idea and a deadline. The founders take every call. The bench covers what two people shouldn’t.

(a) / originate

Originate

Strategy and concept before anything is made.

(a) / originate

Originate

Strategy and concept before anything is made.

(b) / produce

Produce

Studio capture and AI-hybrid production in one loop.

(b) / produce

Produce

Studio capture and AI-hybrid production in one loop.

(c) / operate

Operate

Channel and program delivery, scoped to the brief.

(c) / operate

Operate

Channel and program delivery, scoped to the brief.

For spirits brands that need the room itself, there is

.

(05 / the trade)

The brand side of the table.

Bartenders, baristas, sommeliers, the person behind the counter. Every premium product gets recommended before it gets bought.

Before the lab, we were the people agencies pitched. Rachel spent four years as Tanqueray’s national brand ambassador for Diageo, running Green Room events for the trade across the country. Kyle helped build Collectif 1806, Rémy Cointreau’s bartender ambassador program, and finished as its manager. Before that, years behind the bar in San Francisco and New York. Nobody has to explain the three-tier system to us, or why a bartender won’t post your drink. Your brief can be one page.

(06 / the houses)

Clients follow us.

Diageo

Pernod Ricard

Suntory Global Spirits

Rémy Cointreau

Proximo

Rémy Cointreau to Cincoro to Roué. Tanqueray to Plymouth Gin to Wolves Whiskey. Ten years, the same people, expanding scopes.

(07 / the log)

Every experiment starts as noise.

Prototype campaigns for categories that have not asked yet. Queued experiments stay undeveloped until they ship. Every one signed and disclosed.

exp_001 // still night // released 09.2026

still night, exp_001

still night

Can a whiskey film hold a viewer for fifteen seconds with the bottle withheld until the last one?

brief_to_final // 1 day crew // 1 shots // 15 status // released

(queued // exp_002 // fragrance)

eleventh floor

Can a fragrance campaign hold a viewer with no face, no name and no note list?

brief_to_final // pending crew // 2 shots // pending status // queued

(queued // exp_003 // tequila)

high desert

Can a tequila film leave the beach without losing the sun?

brief_to_final // pending crew // 2 shots // pending status // queued

(08 / visual intelligence)

What we think.

A bartender throws a Martini between two frosted tins, a long arc of gin pouring from one to the other in front of a softly blurred back bar.
intel // 22

Ask them

10.17.20266 min
A glowing button marked with an AI sparkle sits alone on a white desk in a bright, minimal room, connected to nothing.
intel // 21

There is no button

10.14.202610 min
A nearly empty bottle with a worn, blank label on a dark bar after close, backlit by the last lit shelves of the back bar.
intel // 20

The outside line goes first

10.09.20269 min

(09 / the founders)

Kyle Ford, photographed outdoors against the Miami skyline.

Kyle Ford

creative_director // director_of_photography

Leads creative direction and production standards, from the first concept to the final frame. Still behind the camera and in the composite.

Kyle Ford, photographed outdoors against the Miami skyline.

Kyle Ford

creative_director // director_of_photography

Leads creative direction and production standards, from the first concept to the final frame. Still behind the camera and in the composite.

Rachel Ford, photographed outdoors against palm foliage.

Rachel Ford

managing_partner // executive_producer

Leads strategy, editorial and integrated programs, connecting the brief, the people and the channels from first conversation through delivery.

Rachel Ford, photographed outdoors against palm foliage.

Rachel Ford

managing_partner // executive_producer

Leads strategy, editorial and integrated programs, connecting the brief, the people and the channels from first conversation through delivery.

We met at a karate studio in Sacramento, long before either of us had tended a bar. We’ve been in the same room ever since.

(10 / conscious_compute)

AI production runs on real compute. Each month, we estimate our usage and make contributions to Climeworks, the Bonneville Environmental Foundation and the Earth Species Project. Conscious Compute is our self-directed effort to support carbon removal, water restoration and biodiversity. Our estimates guide that support; they do not establish a net-positive footprint for each asset.

(11 / initiate_contact)

the lab remembers you on this device and nowhere else.